BIO:

I started making films at CCAD (now The Northern School of Art) in Middlesbrough, in the late 80s. I wanted to make docos about Teesside because you rarely ever saw the place on TV, even regional TV and in those dark ages long before digital, professional kit cost a fortune so films rarely got made outside of TV. You had to borrow and blag to make things happen. It was filmmaking with a DIY punk ethos and right up my alley. I was into documenting subjects and stories that mattered, inspired and sparked debate; and which TV would never make.

Cineworld, M'bro 2004
Cineworld, M'bro 2004

A CENTURY IN STONE for example, told the forgotten history of the ironstone miners of my native Eston. I raised £100k in funding (£75,000 from David Puttnam’s NESTA organisation) to make it. It packed thousands into local clubs and halls before becoming the first ever local film to open at a Teesside multiplex. It ran at Cineworld for 3 weeks before showing at cinemas across Australia and selling over 15,000 DVDs. It was all unprecedented for a local film and made the impact of dreams.

Filming Vin Garbutt, Sydney 2007
Filming with Vin Garbutt, Sydney 2007

Similarly, the story of folk legend Vin Garbutt had never been told by TV. This was a local story that was also global and I filmed him from South Bank to Sydney. Teesside Troubadour premiered at Cineworld in 2010 and went on to pack venues across Teesside and also further afield including The Sage at Gateshead.

Filming for BBC Politics Show 2009
Filming for BBC Politics Show 2009

Around the same time, the arrival of YouTube, inspired projects with campaign groups trying to stop local authorities selling off green spaces to housing developers. Two films, Coatham – A Common Concern and Bulldozing Democracy we managed to get screened in Parliament. They helped land a spot on the BBC Politics Show for one campaign and a victory in the Supreme Court for the other.

Filming Belsen liberator Eddie Straight, 2015
Filming Belsen liberator Eddie Straight, 2015

Today, amid the daily deluge of unlimited TV channels and video streaming across all devices, the local indie doco has its work cut out to be seen. But a good story is still a good story and telling it well is still the name of the game. A testament to this is Eddie Straight – To Hell and Back which I made in 2015 about a WW2 veteran from Saltburn. It was technically very simple but told a very powerful story that left audiences transfixed and many in tears. So here’s to more in the future but priority No1 is my ‘A Century in Stone’ book. Packed with original and exclusive material, it will be an important historical document in its own right. All being well, it will appear in 2024. Watch this space!  

Craig Hornby 2022